During his latest guest spot on the “Insight” podcast, Nick Aldis made notable remarks about Chelsea Green’s time in WWE so far. He shared that working with her felt like having a “night off.”
Green is presently a part of the SmackDown team, where Aldis holds the position of the General Manager.
Aldis expressed, “It’s a night off. It’s top-notch. No need to overthink as she will inevitably supply abundant material. What an incredible example of optimizing your time. A perfect demonstration of capitalizing on an opportunity that many might have overlooked. Conversations between Chelsea and I have delicately danced around this aspect. Chelsea and I have shared a lengthy acquaintance. We’re contemporaries, we’ve frequented many of the same places. Our career trajectories have certain similarities. She was always in a dilemma about getting her big break on the main show. When it happened, it probably wasn’t what she initially envisaged. I don’t want to draw conclusions on her behalf, but I’m inclined to believe that what she’s pursuing may not be what she dreamt of many moons ago, yet she has wholeheartedly embraced it and made it her own. She’s revered among the producers, and is a delight to work with, I can vouch for that. She genuinely embodies professionalism.“
Elsewhere, in a recent conversation on the “Greg and the Morning Buzz” show, Triple H delved into specifics about the way he manages WWE events and fields feedback about the company’s alterations.
According to Triple H, his companions sometimes text him to express their critiques. However, he clarified, “None of them actually texts me during the show owing to the understanding that I would be preoccupied. It’s fascinating to see the varied perspectives. I have acquaintances from various generations, and it’s not uncommon for some veteran wrestlers to view the current generation’s performance with a degree of skepticism. They believe these young performers are veering away from traditional techniques. I understand where they are coming from, but this is how the young audience perceives it today. Often, as one ages, the first thing they grow disillusioned with is music. Many people feel that music of their time was more authentic and emotionally charged, but that’s just a sign of aging. Every generation has its unique appeal, but the current generation has its own interpretations, and it is necessary to cater to their tastes. I have no control over that, and it took me three decades to grasp this reality. We need to remember that it’s not about what I desire, but it’s about what the fans want. If we stray from this principle, we risk losing the audience. The key is to focus on their needs and the larger picture.”